Music Glossary M

Music Glossary M

Welcome to the Music Glossary M section, your guide to mastering the terminology that drives the music world. This section dives into terms that start with “M,” covering everything from musical styles to technical tools, foundational concepts, and iconic references. Whether you’re a musician, producer, or music enthusiast, these terms will help deepen your understanding of the art and science of music creation and appreciation.

In this section, you’ll encounter essential concepts like melody and meter, which are fundamental to songwriting and composition. A melody is the sequence of notes that make a song memorable, often carrying its emotional core. Meter, on the other hand, is the rhythmic structure that defines how beats are organized in time. Together, these elements shape the character of a piece of music and give it life.

For those exploring production, you’ll discover terms like MIDI and mastering. MIDI (Musical Instrument Digital Interface) is a powerful tool for creating, editing, and controlling digital music, allowing seamless communication between software and hardware. Mastering, the final step in music production, ensures your track sounds polished and professional, ready for streaming or distribution.

Musical genres like metal and Motown also feature prominently here. Metal, with its powerful riffs and intense energy, has spawned countless subgenres and a dedicated global fanbase. Meanwhile, Motown’s soulful sounds revolutionized popular music and left an indelible mark on culture and history.

Technical terms like multitracking and modulation add depth to your understanding of recording and sound design. Multitracking enables layers of sound to be recorded and blended, while modulation explores changes in pitch or key, enriching a song’s dynamic range.

No matter your level of expertise, this glossary is designed to help you grow. Dive into the “M” terms and discover new insights to fuel your musical journey.

Music Glossary M
Facebook
X
Pinterest
LinkedIn
Mix
Reddit
Threads
Email

Table of Contents

Music Glossary Navigation

Music Glossary M Terms

Major Label

Major record labels are the largest members of record industry trade bodies (The RIAA in America and BPI in the UK).

Mallet

An object used to strike a percussion instrument. Mallets can have woolen or synthetic tips to create different sounds. Mallets for use with chimes can have a hammer style shape used for chimes.

Manager

The “Manager” is the business manager for a band. Their responsibilities vary greatly from one manager to the next, with the differences in their responsibilities depending, in part, on what level the band is at.

They are the primary contact for anyone who wants to work with the band. This includes record labels, agents, music publishers, writers, and promoters.

It is up to a band’s manager to find, assess and exploit new opportunities for the band. Setting up gigs and tours, support slots, sponsorship deals, engaging marketing agencies, engaging experts and agencies covering many supporting music-related roles.

The manager deals with the organization, structure, finance, lawyers, and contracts for the band. They coordinate any and all business affairs concerning their artist.

Typically, band managers are paid in the region of 15%–25% of total earnings.

Marimba

A percussion instrument set up in the form of a keyboard whose bars are made of wood. A Marimba is played using mallets. A foot pedal is used to control resonators below.

Marketing

Music marketing aims to increase artist popularity, raise the artist’s profile, and increase the sales of their products.

A range of strategies and tactics are used to create and grow interest in the artist’s music. Strategies include engaging with both the general public and existing fans by increasing exposure across:

  • print
  • radio
  • television
  • the internet.

Some music marketing tasks may be carried out in-house, but record labels will often hire independent marketing companies to carry out large parts of their music marketing strategy.

Artist/Band - Songstuff Music Community Join

For example, record labels often out-source the task of persuading retail outlets to place or display products in prominent in-store locations.

Master Rights

Master rights refer to the legal ownership of a sound recording, also known as the “master recording.” These rights grant the owner control over how the recording is used, reproduced, distributed, and monetized.

Key Characteristics:

  1. Ownership: The entity or individual who holds the master rights has the authority to license the recording and collect royalties from its use.
  2. Separate from Composition Rights: Master rights pertain to the recording itself, while composition rights pertain to the underlying song (lyrics and melody).
  3. Licensing: The master rights owner must grant permission for the recording to be used in sync projects, covers, samples, and more.

Who Owns Master Rights?

  • Record Labels: In many cases, labels own the master rights to recordings created under their contracts.
  • Independent Artists: Artists who self-release music typically retain their master rights.
  • Producers/Investors: In some agreements, producers or financial backers may hold a portion of the master rights.

How Master Rights Generate Income:

  1. Streaming and Sales: Earnings from platforms like Spotify, Apple Music, and physical/digital album sales.
  2. Synchronization Licensing: Payment for using the recording in films, TV, ads, or video games.
  3. Public Performance: Income from airplay on radio or performances in public venues.
  4. Samples: Revenue from allowing other artists to sample the recording.

Owning master rights provides significant control and financial benefits, making them one of the most valuable assets in the music industry. For artists, retaining master rights can mean long-term income and creative freedom.

Taylor Swift has re-recorded her older albums to regain control over her master rights after her original masters were sold without her approval.

When a filmmaker wants to use Adele’s original recording of “Rolling in the Deep” in a movie, they must obtain a license from the owner of the master rights (likely her label) and pay the associated fees.

Master Use License

A master use license is a phonographic copyright license agreement that covers permissions and payments to the owners of recordings, for the use of their music in film, video, or TV. Owners of recordings will set or negotiate their own fee, instead of the agreement being based on a standard fee, when granting a master use license.

A master use license is similar to a synchronization license, with the exception that it covers the rights to reproduce and distribute a sound recording, not a song.

For most recording agreements, 50% of the record label’s net receipts governed by a master use license are considered as “all-in” artist royalties.

Mastering

Mastering is the final engineering stage in audio production, before manufacture and distribution or broadcast. Mastering is often carried out by a specialist mastering engineer.

The process involves:

  • Tweaking EQ to give a consistent sound
  • Tweaking track level to be in-keeping across the release
  • Tweaking track level to meet standards of the current market
  • Add volume fade-ins and fade-outs
  • Changes to track order

The resulting recordings are commonly called “masters”.

Mastering is the final step in the music production process. It involves preparing and optimizing a finished mix for distribution, ensuring it sounds polished, balanced, and consistent across all playback systems.

Key Goals of Mastering:

  1. Sonic Balance – Adjusting the overall tonal balance of the track (e.g., bass, mids, treble).
  2. Dynamic Control – Fine-tuning the dynamic range to ensure the track is neither too compressed nor too quiet.
  3. Volume Consistency – Setting the loudness to industry standards for different platforms (streaming, vinyl, CD, etc.).
  4. Sequencing and Spacing – For albums, mastering ensures smooth transitions and appropriate spacing between tracks.
  5. Format Preparation – Preparing the audio for specific formats, such as high-quality WAV files for streaming or masters for vinyl pressing.

Tools Used in Mastering:

  • Equalizers (EQs): Shape the tonal balance of the mix.
  • Compressors: Manage dynamic range and enhance punchiness.
  • Limiters: Set the maximum loudness level and prevent distortion.
  • Meters: Analyze loudness, stereo width, and frequency distribution.
  • Reverb/Enhancers: Occasionally added for subtle adjustments to depth or clarity.

Mastering ensures a song translates well across various playback systems, from headphones and car speakers to club sound systems. It also provides a professional polish that makes the music stand out in a competitive market.

Masters

Masters and master recordings are common items to be specified in a number of different music industry contracts. Masters are final versions of both audio and audiovisual recordings.

“Masters” also refers to the source phonorecords in the record manufacturing process and the source recordings to be used for digital delivery.

Matching Folio

A book of sheet music for the songs of a specific album. Matching folios usually include album artwork, photos and biographical information for the particular album.

Matching Right
When one of the parties involved in an agreement is entitled to match the terms of an offer by any third party, they are said to have a “matching right”.

For example, artists use demo recordings to interest record labels in signing them to a Recording Contract. When a record label initially paid for the demo recordings it tends to be governed by a Demo Deal. The demo deal terms often specify that the record label, that originally funded the demo recordings, must be given the opportunity to match the terms of any and all acceptable third party offers received by the artist from other record labels.

The right for the original record label to match the offer is time-limited.

The net effect of the clause is that the artist can only sign a record contract with the third party if the core terms of the third party’s offer aren’t matched by the original record label within the specified time period.

Mechanical Copyright Protection Society/MCPS

The Mechanical Copyright Protection Society issues Mechanical Licenses in the U.K. (for copying recordings) and they collect any related royalties.

PRS For Music is an umbrella organization that includes both PRS and MCPS.

Mechanical License

A mechanical license is a publishing license governing payments to  writers for any copies of music that play mechanically.

Mechanical Licenses were originally intended to cover automatic player piano, punched sheet piano rolls, as compensation0 for lost sheet music royalties.

A mechanical license provided by a music publisher or songwriter to an artist, authorises them to record and distribute a song.

A mechanical license provided by a publisher (or it can be provided by an agent working for the publisher) to a record label, authorizing the record label (grants the label the rights) to reproduce and distribute (physical or digital distribution) the recordings of a specified song in exchange for an agreed fee.

Mechanical Rights

Mechanical rights govern the mass reproduction of music recordings on vinyl, CDs, minidisc, tapes, and all other forms of physical media.

Mechanical Royalties/Mechanicals

Mechanical Royalties are the royalties due under a Mechanical License, paid by a Record Label to the Publisher, or Publishers, for the reproduction and distribution of a song recorded in a Phonorecord or Digital Phonorecord Delivery.

Mechanical royalties are then split, with the publisher keeping it’s share of Mechanical Royalties and then paying the songwriter’s share to songwriters.

In the absence of a Music Publisher, such as when a songwriter carries out their own publishing activities, the entire Mechanical Royalty is paid to the Songwriter.

Depending on the deal the amount is based on the number of albums pressed or sold.

A set rate per song is paid in the USA and Canada.

The current statutory mechanical royalty rates (Statutory Rate) for Compulsory Licenses as outlined in Section 115 of the 1976 U.S. Copyright Act.:

Physical Recordings (such as CDs) and Permanent Digital Downloads

  • 9.1¢ for song recordings of 5 minutes or shorter
  • 1.75¢ per minute or fraction thereof for song recordings longer than 5 minutes

Streaming Platforms

  • Range from roughly 4% to 6.75% of revenue

Outside of the USA and Canada, a percentage of the wholesale price is paid.

Today’s mechanicals includes:

  • CDs
  • Downloads
  • Ringtones
  • Musical toys
  • MIDI files

All are collected in the USA by the Harry Fox Agency (HFA), and in the UK by MCPS.

Melisma

Melisma refers to the vocal technique of singing a single syllable of text while moving between multiple pitches or notes. This style is commonly used to add expressiveness and ornamentation to vocal performances.

Key Characteristics:

  1. Multiple Notes per Syllable: A defining feature where a single syllable is stretched across several pitches.
  2. Expressive and Ornamental: Often used to showcase a singer’s technical skill and emotional delivery.
  3. Common in Various Genres: Found in classical music, gospel, R&B, pop, and traditional folk music from around the world.

Examples in Music:

  • Classical Music: Melisma is prominent in Gregorian chants, where a single syllable might span an entire melodic line.
  • Pop and R&B: Artists like Mariah Carey, Whitney Houston, and Beyoncé frequently use melisma to add emotional depth and vocal flair.
  • Traditional Music: Found in Middle Eastern, Indian, and African music, where intricate melismatic passages are integral to the style.

Melisma allows singers to add personal expression and virtuosity to their performances. It can elevate a simple melody into a dramatic and captivating moment, connecting with listeners on a deeper emotional level.

The use of melisma in pop music surged in popularity after Whitney Houston’s iconic rendition of “I Will Always Love You,” inspiring a generation of vocalists.

Mariah Carey’s “Vision of Love” is a masterclass in melisma, with the singer seamlessly moving through multiple notes on single syllables, showcasing her vocal range and agility.

Melody

A melody is a sequence of musical notes that are played or sung in a specific order, creating a recognizable and often memorable musical phrase. It serves as the main tune of a song or piece of music, typically standing out as the part that listeners hum or sing along to.

Key Characteristics:

  1. Pitch – The melody is defined by the notes’ pitch, which determines how high or low each sound is.
  2. Rhythm – The timing and duration of the notes within the melody contribute to its unique character.
  3. Contour – The shape or direction of the melody, such as ascending, descending, or remaining static.
  4. Repetition – Melodies often repeat or include variations to reinforce familiarity and emotional impact.

Role in Music:

The melody is usually the focal point of a musical composition, providing the emotional core and guiding the listener’s attention. It can be accompanied by harmony, rhythm, and texture to create a fuller musical experience.

Examples:

  • The vocal line in Adele’s “Hello” is a clear example of a melody.
  • The opening bars of Beethoven’s “Für Elise” are instantly recognizable as a melody.

In some musical traditions, like Indian classical music, melodies (known as ragas) are deeply tied to moods, times of the day, and even seasons.

A strong melody is often what makes a song memorable and connects with listeners emotionally. Understanding melody is crucial for songwriting, composition, and music analysis.

Merchandise/Merch

Merchandise is a common term for abroad range of artist-related goods other than the artist’s music. For example:

  • T-shirts
  • Hoodies
  • Caps
  • Wristbands
  • Posters

Some products can be both merch and promo, artist-branded products, such as:

  • USB sticks
  • Ear Buds
  • Bags
  • Lanyard
  • Can Cooler.

Merchandising Agreement

A Merchandising Agreement grants Merchandising Rights. Such agreements can be varied. They can cover:

    • A general distribution channel
    • A limited distribution channel
      • Retail
      • Touring
    • All products
    • One or more specific products
      • An agreement for solely for posters

The merchandiser normally pays the artist royalties based on merchandise sales. The agreement also stipulates if an advance is to be paid, and just how much.

Merchandising Rights

Merchandising rights cover the reproduction and distribution of merchandise.  Merchandise includes:

  • Posters
  • T-shirts
  • Hoodies
  • Caps/Hats
  • Belt buckles
  • Books
  • Other apparel

Merchandise typically uses artist related imaging and branding such as:

  • Artist name
  • Artist logo
  • Artist photographs/Artist likenesses
  • Biography and related materials

MetaData

Most music software programs, and other software, use Metadata to provide information to the program when a CD is inserted into a computer. The Metadata is provided to the software program by a separate Metadatabase application.

Typical Metadata includes:

  • Artist Name
  • Album/E.P. Name
  • Track Titles

Metal

Metal, short for heavy metal, is a genre of rock music characterized by its loud, powerful sound, aggressive energy, and emphasis on distorted guitar riffs. Emerging in the late 1960s and early 1970s, metal combines elements of blues rock, psychedelic rock, and hard rock, developing into one of the most dynamic and diverse genres in music.

Key Characteristics:

  1. Distorted Guitar Riffs: A hallmark of metal, featuring heavy use of power chords and intricate solos.
  2. Loud and Energetic Sound: Amplified volume and driving rhythms create an intense sonic experience.
  3. Complex Song Structures: Many metal songs feature unconventional forms, including extended instrumental sections and tempo shifts.
  4. Vocals: Ranges from melodic singing to harsh growling or screaming, depending on the subgenre.
  5. Themes: Lyrics often explore rebellion, mythology, fantasy, societal issues, and personal struggles.

Subgenres of Metal:

  1. Classic Heavy Metal: Bands like Black Sabbath and Judas Priest pioneered the genre with iconic riffs and high-energy performances.
  2. Thrash Metal: Fast tempos and aggressive riffs, exemplified by Metallica and Slayer.
  3. Death Metal: Harsh vocals and dark themes, popularized by bands like Death and Cannibal Corpse.
  4. Black Metal: Emphasizes atmosphere, often with raw production and themes of mysticism (e.g., Mayhem, Emperor).
  5. Power Metal: Features soaring vocals, epic themes, and virtuosic instrumentation (e.g., DragonForce, Helloween).
  6. Nu-Metal: Combines metal with elements of hip-hop and alternative rock (e.g., Linkin Park, Korn).

Metal is more than a genre; it’s a cultural movement that has united fans worldwide. It encourages self-expression, individuality, and emotional catharsis, earning a devoted and diverse fan base.

The term “heavy metal” is believed to have originated from the song “Born to Be Wild” by Steppenwolf, which includes the phrase “heavy metal thunder.”

Example:

Black Sabbath’s “Iron Man” and Metallica’s “Master of Puppets” are iconic examples of metal’s enduring power and influence.

Meter

(1) A device known as a VU Meter is used to monitor loudness on audio equipment, especially audio recording equipment.

(2) The rhythm of speech or singing, including intonation and stresses as applied to speech and singing, poetry and lyrics

Meter is the rhythmic structure of music, organizing beats into regular patterns of strong (accented) and weak (unaccented) pulses. These patterns are grouped into measures (or bars) and are determined by a time signature.

Key Components:

  1. Beats – The basic units of time in a piece of music.
  2. Measures – Groups of beats, separated by barlines in written music.
  3. Time Signature – A notation indicating how beats are grouped (e.g., 4/4 means four beats per measure, with the quarter note as the basic beat).

Types of Meter:

  1. Simple Meter – Each beat can be divided into two equal parts. Examples: 2/4, 3/4, 4/4.
  2. Compound Meter – Each beat can be divided into three equal parts. Examples: 6/8, 9/8, 12/8.
  3. Irregular (or Asymmetric) Meter – Contains beats grouped in uneven patterns. Example: 5/4 or 7/8.

Examples in Music:

  • Simple Meter: Most pop songs, like “Shape of You” by Ed Sheeran, are in 4/4 time.
  • Compound Meter: “We Are the Champions” by Queen features sections in 12/8 time.
  • Irregular Meter: “Take Five” by Dave Brubeck is a classic example of 5/4 time.

Meter shapes the feel and flow of a piece of music, influencing how listeners perceive rhythm and groove. Understanding meter helps musicians and composers create dynamic rhythmic patterns and ensures performers can interpret music accurately.

The term “meter” comes from the Greek word metron, meaning “measure.”

Mic Level (Mike Level or Microphone Level)

This is the nominal signal level, in terms of dBv, dBV, dBm or voltage of a microphone.

Typically this is in the range of  0.001 volts to about 0.003 volts (-50 dBv to -60 dBv).

Loud sounds can produce an output a signal of up to +4 dBv in some microphones.

Microphone

This is a device for converting acoustic sound waves into an electrical representation of the sound wave. Microphones are categorized according to several different attributes. For example:

  • Sensitivity Pattern (Polar Pattern)
  • How they convert acoustic to electric waves
  • Frequency Response

Microphone Polar Patterns

Microphone polar patterns describe the sensitivity of a microphone to sound coming from different directions. These patterns determine how well a microphone picks up sound from various angles, influencing its application in recording and live performance.

Common Polar Patterns:

  1. Cardioid:

    • Shape: Heart-shaped sensitivity pattern.
    • Pickup: Captures sound from the front, while rejecting most sound from the sides and rear.
    • Uses: Ideal for vocals, instruments, and live settings to minimize background noise.
  2. Supercardioid and Hypercardioid:

    • Shape: Narrower than cardioid, with slight rear sensitivity.
    • Pickup: More directional focus in the front, with some sound pickup from the rear.
    • Uses: Useful in environments where greater isolation is needed.
  3. Omnidirectional:

    • Shape: Picks up sound equally from all directions.
    • Pickup: Sensitive to sound from the front, sides, and rear.
    • Uses: Ideal for capturing ambient sound or group recordings.
  4. Bidirectional (Figure-8):

    • Shape: Picks up sound from the front and rear, while rejecting sound from the sides.
    • Uses: Common in stereo recording techniques and for capturing two sources, such as duets or interviews.
  5. Shotgun:

    • Shape: Extremely narrow and focused sensitivity.
    • Pickup: Primarily from the front, with excellent rejection of off-axis sounds.
    • Uses: Often used in film and television for capturing sound from a distance.

Understanding microphone polar patterns helps in selecting the right microphone for a specific recording or live setup. It ensures optimal sound quality, reduces unwanted noise, and enhances clarity.

The term “cardioid” comes from the Greek word kardia, meaning heart, reflecting its heart-shaped pickup pattern.

A cardioid microphone like the Shure SM58 is perfect for live vocal performances, as it focuses on the singer’s voice while reducing feedback and background noise.

Microphone Proximity Effect

This is the change in the low frequency response of a directional (figure-8 polar pattern) or cardioid microphone in relation to the distance between the microphone and the source sound. The effect is most noticeable on figure-8 microphones, noticeable but reduced on cardioid microphones and not present at all in omnidirectional microphones.

The closer you get to the microphone, the greater the bass boost.

The proximity effect can create problems, but at the same time it provides an opportunity for creative ways to shape the sound.

Mid-Price Record

A Mid-Price Record is a Record that is sold by a Distributor at a price that is below the Distributor’s prevailing price for Records, at that moment, sold as Top-Line Records, but above the price for Budget Records of the same format. Typically, this lower price is between 66.67% and 80% of the price for Top-Line Records.

Mid-weeks

The mid-weeks are provisional sales figures for Records issued to the industry in the middle of the week.

Middle-Eight

A Middle-Eight is a specialist type of bridge section. In music theory, middle eight refers to the B section of a 32-Bar Song Form song, which is 8 Bars in length (hence the middle eight). It has a significantly different melody, rhythm, and harmony from the “A” section specifically, and the more general, the whole song. It is the B in an AABA song, in an AB (Verse / Chorus) song the middle eight is usually placed after the second chorus.

Middle Eight sections usually use new chord progressions. It is called a middle 8 because it happens in the middle of the song and the length is generally 8 bars.

A Middle Eight introduces a contrast with the rest of the song. Many early solos were played during the middle eight.

MIDEM

Launched in 1967, MIDEM is an annual trade fair dedicated to helping the music industry develop business, strategy and creativity. It brings together key players of the music industry and it’s broader ecosystem, both online and in Cannes, France. This includes:

  • Artists
  • Labels
  • Managers
  • Publishers
  • Distributors
  • Streaming services
  • Rights collecting societies
  • High-tech companies
  • Startups
  • Brands
  • Communications agencies
  • Booking agencies
  • Promoters

It has become widely known recently for music business panels and discussions.

MIDI

Musical Instrument Digital Interface. This is a communications system (hardware and protocol) that allows MIDI-compatible systems to send primarily control information from one system to another. See our article on MIDI by following the link below.

Songstuff Midi Article

MIDI is a technical standard that allows electronic musical instruments, computers, and other devices to communicate and exchange musical information. Instead of transmitting audio signals, MIDI sends data that specifies details like pitch, velocity, duration, and control signals.

Key Features:

  1. Note Data – MIDI can transmit which notes are played, their duration, and their intensity (velocity).
  2. Control Changes – It can adjust parameters such as volume, pan, modulation, and sustain.
  3. Program Changes – MIDI can switch between instrument sounds or patches on compatible devices.
  4. Synchronization – It can sync tempos and time-related functions between devices.

How It Works:

MIDI data is transmitted in a series of messages, such as “Note On” (start a note) and “Note Off” (end a note). These messages can be sent via physical connections (like a 5-pin MIDI cable) or software (via USB or virtual MIDI).

Applications in Music:

  • Composition – MIDI is widely used in digital audio workstations (DAWs) to create and edit music.
  • Live Performance – Artists use MIDI controllers to trigger sounds, loops, and effects in real-time.
  • Sound Design – MIDI enables users to control virtual instruments and synthesizers with precision.
  • Automation – It can program dynamic changes in parameters like volume or filter cutoff.

MIDI revolutionized the music industry by enabling seamless integration between hardware and software, making music production more versatile and accessible. It’s a cornerstone of modern music creation, allowing artists to experiment and innovate effortlessly.

MIDI was introduced in 1983 and remains a standard today, thanks to its simplicity and adaptability. The development of MIDI 2.0 in 2020 added even more expressive possibilities!

MIDI Clock
A MIDI clock is a serial stream of timing code that is used to synchronize MIDI equipment. MIDI Clock messages convey tempo to other equipment and work in conjunction with other MIDI messages, like Start, Stop, Continue, and the Song Position Pointer. See our article on MIDI by following the link below.

Songstuff Midi Article

MIDI Machine Control (MMC)

This is the use of MIDI Messages to control the basic features of a recording device. This includes Start Recording, Stop Recording, and Track Arming. MMC does not contain any timing information.

The Midi Interface (article)

MIDI Time Control (MTC)

This is the use of MIDI Messages to synchronize MIDI compatible audio devices in absolute time. This is similar to SMPTE in that MTC can utilize different frame rates for synchronization.

The Midi Interface (article)

Middle Of The Road Radio/MOR Radio

MOR is a genre of music that includes:

  • easy listening
  • pre-rock & roll era traditional pop music
  • orchestral ballads
  • musical theater songs
  • smooth jazz
  • soft rock

Mix

Noun: The Mix. The resulting sound when combining multi-track audio into a finished format, such as mono, stereo or a number of surround sound options.

Verb: To Mix. See Mixdown/Mix.

Mixdown/Mix

In a multitrack recording, ‘mixdown’ is the name given to the process of mixing multiple pre-recorded audio tracks into a combined output recording.

This is the process of combining two or more audio sources of any kind to achieve a desired balance between the input signals within a combined output signal. This is usually combining audio tracks in a multitrack environment.

The act of “mixing”, preparing to mixdown, includes audio processing and the application of audio effects (fx) to the individual audio tracks and to the combined output audio tracks.

Mixed Folio

A printed book containing sheet music of songs by different songwriters.

Mixer

In the past, Sound Recordings were recorded on large, multi-track tapes (for example, a 48 track tape) with each sound (e.g., an instrument or vocal) on a separate track. Now, the tracks are generally digitally recorded, but the concept is the same. The “mixer” is the person at the end of the recording process who determines the mixture of these various tracks (for example, the volume of each track in relation to the other tracks). Mixers are usually paid a flat fee for their services, but in some cases, they may have negotiated a royalty as well as a fee.

Mixing

Mixing is the process of combining and balancing individual audio tracks in a song or piece of music into a cohesive final version. This step occurs after recording and before mastering, focusing on the artistic and technical aspects of sound.

Key Elements of Mixing:

  1. Volume Balance – Ensuring all tracks (vocals, instruments, effects) are at appropriate levels relative to each other.
  2. Panning – Positioning sounds in the stereo field (left, center, right) to create a sense of space.
  3. EQ (Equalization) – Adjusting the tonal balance of individual tracks to avoid frequency clashes and enhance clarity.
  4. Compression – Controlling dynamics to maintain consistency and add punch or sustain to certain elements.
  5. Reverb and Delay – Adding depth and ambiance by simulating space and reflections.
  6. Automation – Dynamically changing levels, effects, or panning throughout the track for added movement and emotion.

Steps in the Mixing Process:

  1. Organize and clean up the session (e.g., removing noise, editing timing).
  2. Set an initial rough mix to establish the balance of elements.
  3. Apply processing (EQ, compression, effects) to refine the sound.
  4. Fine-tune dynamics, stereo imaging, and transitions.
  5. Create a mixdown—an exported version of the mixed track.

Mixing shapes the way a song feels and communicates its emotional intent. A well-mixed track ensures that every element is clear, balanced, and impactful, enhancing the listening experience.

Iconic albums like “Dark Side of the Moon” by Pink Floyd owe much of their immersive quality to meticulous mixing, which brings out the intricate details in the music.

In a pop song, the mixing process might ensure the lead vocal shines clearly over a punchy beat, while subtle effects like reverb add atmosphere.

Modulate

(1) A key change mid-song.

(2) Varying the strength, tone, or pitch of the voice

(3) To mix an electrical signal containing sound or images with a radio frequency in preparation for broadcast

Modulation

Modulation (1): The process of varying one or more properties of a carrier signal, with a separate waveform called the modulation signal.

In Amplitude Modulation (AM) the amplitude of the carrier wave is varied by a modulation waveform.

In Frequency Modulation (FM) the frequency of the carrier wave is varied by a modulation waveform.

Modulation (2): In Music Production, modulation is used to gradually change properties of a sound. It can be used to create a sense of depth and movement within an audio recording.

The source signal (modulator) controls a second signal (carrier) through sound effects and synthesis.

Modulation(3): Modulation in music refers to the process of changing from one key or tonal center to another within a composition. This shift can occur smoothly or abruptly, adding variety, tension, or resolution to the music.

Types of Modulation:

  1. Direct (Abrupt) Modulation – A sudden shift from one key to another without preparation. Example: A key change in a pop song chorus.
  2. Pivot Chord Modulation – Using a chord common to both the original and target keys to create a smoother transition.
  3. Chromatic Modulation – Using notes or chords outside the original key to transition into a new key.
  4. Sequential Modulation – Repeating a musical phrase in a new key as part of the modulation.

Uses in Music:

  • Emotional Effect: Modulation can heighten intensity, create surprise, or provide a sense of resolution.
  • Variation: Shifting keys can keep a piece interesting and prevent monotony.
  • Structural Purpose: It often marks a new section or development within a piece, such as moving from a verse to a bridge.

Examples in Music:

  • Pop music often uses modulation for dramatic effect, like key changes in Whitney Houston’s “I Will Always Love You”.
  • Classical composers like Beethoven frequently used modulation to develop themes and add complexity.

Modulation is a powerful tool for composers and songwriters, enabling them to evoke different emotions and add sophistication to their music. It keeps the listener engaged and can provide both tension and release.

The “Truck Driver’s Gear Change” is a term for the abrupt upward modulation often used in pop music to create excitement and a sense of climax near the end of a song.

Example:

A song might start in C major and modulate to G major to create a brighter and uplifting mood in the chorus.

Monophonic

Monophonic (often shortened to “mono”) describes music or sound that consists of a single melodic line without any harmony or additional voices. It can be played or sung by one or more performers, as long as they are in unison (playing or singing the same notes at the same time).

Key Characteristics:

  1. Single Melody Line: There is only one melody, with no accompanying chords or harmonies.
  2. Unison Performance: Multiple instruments or voices can perform the melody, but they must follow the same notes and rhythm.
  3. Simplistic Texture: Monophonic music has a straightforward and pure sound compared to polyphonic or homophonic textures.

Examples in Music:

  • Gregorian Chant: Early Western church music often featured monophonic textures.
  • Solo Singing or Instrumentation: A single vocalist singing a melody or a solo instrument playing without accompaniment is monophonic.
  • Folk Music: Many traditional songs are monophonic in structure.

Uses in Modern Music:

While less common in contemporary music, monophonic textures are still used for dramatic effect, simplicity, or focus on a single musical idea. It’s also a term used in synthesizers to describe instruments that can only play one note at a time.

Monophonic textures are foundational to music, representing one of the simplest and earliest forms of musical expression. Understanding monophony helps musicians appreciate how music has evolved into more complex forms.

The word “monophonic” comes from the Greek words monos (single) and phone (sound), literally meaning “single sound.”

Monthly Statement of Account

In the USA, a Compulsory Mechanical License places a requirement on the license holder to account to the copyright owner on a monthly basis. The statement tells the copyright holders that a work is being distributed under the provisions of a compulsory mechanical license.

Compulsory mechanicals licenses place a limit on the reserves the license holder can withhold. They also require that reserves must be sold and the account paid out at specified intervals.

Royalties are due on every copy made and distributed not simply every copy made and sold. In other words, royalties are paid on promotional copies etc. handed out by the license holder.

The compulsory mechanical license lay out a framework for standard mechanical licenses, particularly the statutory rate. The statutory rate is the de facto ceiling price for a mechanical license. No one pays above the statutory rate. Many record labels pay at a level below the statutory rate to their artists.

Moral Rights/Droit Moral

In some European territories, a moral right is a right retained by an author to prevent their works from being “mutilated”. This applies even if the author has sold the work or the copyright in the work.

In the United States, Moral rights are only recognized for visual works.

Most Favored Nation/MFN Clause

This is a contractual clause that stipulates that the “Giver” agrees to give the “Recipient” the benefit of ANY terms given by the Giver in ANY other contract with ANY other person relating to the same project where the corresponding terms would be more favorable to the Recipient.

An example would be where a Synchronization License states that the fee payable to the Publisher (i.e., the Licensor) by the Licensee shall not be less than the fee paid to any Publisher by the Licensee for the right to synchronize any other song in the same motion picture.

Motif

A dominant or recurring idea in an artistic work, typically a thematically significant melody in a creative work.

A motif is a short, distinctive musical idea or pattern that serves as a building block in a composition. It can consist of a few notes, rhythms, or a combination of both and is often repeated, developed, and varied throughout the piece.

Key Characteristics:

  1. Short and Memorable – A motif is usually concise, making it easy for listeners to recognize.
  2. Repetition and Variation – It often recurs in different forms, creating unity and coherence in a composition.
  3. Thematic Role – A motif can represent a character, idea, or emotion, especially in programmatic music and film scores.

Types of Motifs:

  • Melodic Motif – A series of notes with a distinctive pitch pattern (e.g., the opening of Beethoven’s Symphony No. 5).
  • Rhythmic Motif – A pattern based on rhythm rather than melody (e.g., the syncopated clapping in Queen’s “We Will Rock You”).
  • Harmonic Motif – A repeating chord progression or harmonic idea.

Uses in Music:

  • Development: Motifs can be transformed or expanded, serving as a foundation for longer sections of music.
  • Recognition: Repeating motifs make a piece more cohesive and memorable.
  • Symbolism: In opera or film scores, motifs can symbolize characters, objects, or ideas (e.g., leitmotifs in Wagner’s operas or John Williams’ Star Wars themes).

Motifs provide a framework for musical storytelling, creating connections between different sections of a piece. They help listeners engage with and remember the music.

The four-note motif in Beethoven’s Symphony No. 5 is one of the most famous in classical music history, often referred to as “Fate knocking at the door.”

Example:

In “Thriller” by Michael Jackson, the recurring bassline acts as a rhythmic motif, anchoring the song’s groove and driving its energy.

Motown

Motown refers to both a genre of music and the iconic record label that popularized it. The term is derived from “Motor Town,” a nickname for Detroit, Michigan, where the Motown Record Corporation was founded in 1959 by Berry Gordy. Motown music blends soul, pop, and R&B, characterized by catchy melodies, tight rhythms, and polished production.

Key Characteristics:

  1. Catchy Melodies and Hooks: Motown songs often feature memorable melodies and sing-along choruses.
  2. Groove-Oriented Rhythms: Driven by strong bass lines, syncopation, and a danceable beat.
  3. Call-and-Response Vocals: A hallmark of African American gospel influence, with lead and background vocals interacting dynamically.
  4. Polished Production: Motown aimed for universal appeal, creating smooth, radio-friendly tracks.
  5. Lyrics with Wide Appeal: Themes often centered around love, heartbreak, and perseverance.

Famous Artists:

  • The Supremes – Known for hits like “You Can’t Hurry Love”.
  • Stevie Wonder – Innovated with timeless classics like “Superstition”.
  • The Temptations – Famous for “My Girl”.
  • Marvin Gaye – Renowned for socially conscious songs like “What’s Going On”.
  • The Jackson 5 – Known for upbeat tracks like “I Want You Back”.

Cultural Impact:

Motown played a significant role in breaking racial barriers in the 1960s, bringing African American music to mainstream audiences. It became the soundtrack of the Civil Rights Movement and influenced countless genres, from pop to funk and beyond.

Motown’s unique sound and pioneering spirit revolutionized popular music, making it one of the most influential movements in music history.

The Motown studio, nicknamed “Hitsville U.S.A.,” was located in a house in Detroit where many of its legendary hits were recorded.

MP3

Short for “MPEG Audio Layer-3”, MP3 is a popular audio file format used for music downloads and for digital music players. MPEG itself is an abbreviation of Moving Picture Experts Group (MPEG).

MP3 files sound very similar to the original audio, but they need much less disk space. As a compressed audio file, file sizes are approximately 10% of the original audio file size.

Muffle

A muffle is generally a solid-foam material used on drums and drum heads as a way of reducing undesired resonance and overtones.

Multiple Album

Originally this was an album package that included more than one vinyl disc for a single price. The term now includes compact disc packages with more than one compact disc.

A “box set” is typically a multiple album that contains recordings over the artist’s entire career.

The definition of a “multiple album” under a recording agreement now includes Digital Phonorecord Deliveries based on the number of tracks or the playing time of all of the tracks being sold as part of the album package, even though the concept of separate discs is not applicable to Digital Phonorecord Deliveries.

The reasons multiple albums are referred to in recording agreements are two-fold.

  1. Labels generally do not want the artist to Deliver a multiple album, because multiple albums, which bear a higher price in order to offset the higher manufacturing costs, do not usually sell as many units as a single-disc album. Therefore, in most recording agreements, a multiple album can only be Delivered by the artist with the consent of the recording company.
  2. Recording agreements typically contain the following reduced Artist Royalty rate formula for multiple albums:
    • The artist’s album royalty rate is reduced by a fraction
      • The numerator of which will be the price of the multiple album
      • The denominator of which will be the Label’s standard price for a single-disc album sold as a Top-Line Record multiplied by the number of discs (or the equivalent thereof) in the multiple album package.
      • For example, if the SRLP of a two-disc multiple album is $24.98 and the Label’s standard price for a single-disc album is $16.98, then the Artist Royalty rate for the multiple album will be reduced to equal 73.6% of the Artist Royalty rate otherwise payable to the artist (i.e., $24.98 divided by $33.96 (i.e., $16.98 x 2)).

Multitracking

Multitracking is a recording technique in which multiple audio tracks are recorded separately and then combined to create a cohesive final mix. It allows for individual control and editing of each track, providing flexibility and precision in music production.

Key Features:

  1. Layered Recording: Instruments, vocals, and other sounds are recorded on separate tracks, either simultaneously or sequentially.
  2. Individual Control: Each track can be adjusted independently for volume, EQ, effects, and panning.
  3. Non-Destructive Editing: Changes to one track don’t affect others, allowing for experimentation and fine-tuning.

How It Works:

  1. Tracking Phase: Performers record each instrument or vocal part onto individual tracks using a multitrack recorder or digital audio workstation (DAW).
  2. Overdubbing: Additional parts can be recorded over existing tracks, building layers of sound.
  3. Mixing: Tracks are balanced, processed, and blended to create the final version of the song.

Applications:

  • Studio Recording: Essential for producing complex arrangements and high-quality recordings.
  • Live Performance Recording: Captures individual elements for post-production adjustments.
  • Sound Design: Used in film, television, and game production to layer effects, music, and dialogue.

Multitracking revolutionized music production, enabling artists and producers to create detailed and polished recordings. It allows for creative freedom, such as adding harmonies, experimenting with effects, and re-recording specific parts without starting over.

The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band” was one of the first albums to fully utilize multitracking, showcasing its potential for innovative and layered production.

An example usage In a modern pop song, the lead vocals, harmonies, guitar, bass, drums, and synths are all recorded on separate tracks, then mixed to achieve a balanced and dynamic final sound.

Music Catalog

A Music Catalog is a collection of musical works. Often owned and/or administered by a Music Publisher.

Music Cue

A Music Cue tends to be a relatively short piece of music within a soundtrack.

Music Director

Musical director is someone responsible for the musical aspects of a performance, production, or organization, for both recording sessions or live work. They guide the artistic direction, coordinate musicians, and ensure the music aligns with the creative vision.

Examples include:

  • artistic director
  • orchestral conductor
  • director of music for a movie
  • director of music at a radio station
  • person in charge of music for a school, university, college, or other institution

Roles and Responsibilities:

  1. Conducting: In orchestras, choirs, or theater productions, the music director often serves as the conductor, leading rehearsals and performances.
  2. Repertoire Selection: Chooses the pieces to be performed, aligning with the theme or goals of the performance or organization.
  3. Musician Coordination: Works with performers, arrangers, and composers to ensure cohesive musical execution.
  4. Creative Vision: Shapes the overall sound and style of a performance or production.
  5. Leadership: Manages rehearsals, provides guidance to performers, and resolves any musical challenges.
  6. Collaboration: Partners with directors, producers, and other creatives in multidisciplinary projects such as films, TV shows, or theater.

Uses in Music:

  • Orchestras and Choirs: Leads rehearsals and performances, ensuring the ensemble delivers a polished interpretation.
  • Theater Productions: Oversees the musical elements of plays and musicals, coordinating between the cast and orchestra.
  • Film and Television: Supervises soundtracks and scores, working closely with composers and sound engineers.
  • Churches and Community Groups: Directs choirs and bands for services or events.

A music director is essential for maintaining the artistic integrity and quality of a musical performance. Their leadership ensures all elements come together harmoniously, delivering an impactful experience for audiences.

Leonard Bernstein was one of the most famous music directors, serving as the conductor and music director of the New York Philharmonic from 1958 to 1969.

In a Broadway musical, the music director leads the pit orchestra, coaches singers, and ensures that the music complements the staging and storytelling.

Music Library/Production Music Library

Music Libraries are specialist music publishers, focused on licensing music to media production companies involved in producing:

  • Television shows
  • Movies/films
  • Television commercials
  • Corporate videos
  • Streaming videos

Music Licensing

Music licensing is the process of granting permission to use a song or composition in exchange for payment, typically in the form of royalties or licensing fees. It ensures that creators and rights holders are compensated for the use of their music in various contexts.

Types of Music Licenses:

  1. Synchronization (Sync) License: Allows music to be used in visual media such as films, TV shows, commercials, or video games.
  2. Mechanical License: Covers the reproduction and distribution of a song, such as on CDs, vinyl, digital downloads, or streaming platforms.
  3. Performance License: Required for public performances of music, including live concerts, radio broadcasts, streaming, and background music in businesses.
  4. Master Use License: Grants the right to use a specific sound recording (the master) in media. This is separate from the composition rights.
  5. Print License: Covers the reproduction of sheet music or songbooks.

How It Works:

Music licensing typically involves agreements between rights holders (songwriters, composers, publishers, and record labels) and the entity seeking to use the music (filmmakers, broadcasters, streaming services, or businesses). Licensing fees or royalties are paid based on the type of usage, the duration, and the popularity of the music.

Music licensing ensures that artists and creators are compensated for their work, protecting intellectual property and incentivizing creativity. It also provides legal permission to use music, preventing copyright infringement.

The iconic theme from “Friends” (“I’ll Be There for You” by The Rembrandts) required a sync license to be used in the show’s opening credits, earning both the creators and performers significant royalties.

Example:

When a filmmaker uses a Taylor Swift song in a movie, they must secure both a sync license (for the composition) and a master use license (for the recording). These licenses ensure Swift and her rights holders are fairly compensated.

Music Promoter/Promoter

See Promoter.

Music Promotion

The act of promoting an artist’s music via marketing, word of mouth or advertising.

This includes:

  • promotion to radio stations to get airplay
  • promotion of an artist’s upcoming concert or performance
  • any act performed to promote an artist’s music.

Music Publishing

Music publishing is the business of managing, protecting, and monetizing musical compositions. It involves administering the rights of songwriters and composers, licensing their works, and ensuring they receive royalties when their music is used.

Key Roles of Music Publishing:

  1. Rights Management – Handling the legal ownership of compositions, including copyrights.
  2. Royalty Collection – Ensuring songwriters receive income from various sources, such as performance royalties, mechanical royalties, and synchronization fees.
  3. Licensing – Granting permission to use songs in various contexts, such as film, TV, commercials, or streaming platforms.
  4. Promotion – Helping composers and songwriters gain exposure by pitching their music to artists, producers, and media outlets.

Types of Royalties Collected:

  1. Performance Royalties: Earned when a song is performed live or played on radio, TV, or streaming platforms.
  2. Mechanical Royalties: Earned when a song is reproduced, such as on CDs, vinyl, or digital downloads.
  3. Sync Royalties: Earned when a song is used in visual media like films, advertisements, or video games.
  4. Print Royalties: Earned from the sale of sheet music.

Music publishing is essential for songwriters and composers to ensure they earn income and retain rights to their creations. It bridges the gap between creativity and commerce, enabling music creators to focus on their art while publishers handle the business side.

The term “publishing” dates back to the sheet music era when publishers physically printed and distributed music. Today, it includes managing digital rights and licenses across a wide array of platforms.

Example:

When Adele’s “Rolling in the Deep” is streamed on Spotify or featured in a film, her music publisher ensures she and her co-writers are paid the royalties they’re owed.

Music Royalties

Music royalties are payments made to rights holders (such as songwriters, composers, artists, and publishers) when their music is used, performed, or reproduced. These royalties compensate creators and owners for the use of their intellectual property.

Types of Music Royalties:

  1. Performance Royalties: Earned when a song is played publicly, such as on radio, TV, streaming platforms, live venues, or in businesses. These are collected by performing rights organizations (PROs) like PRS for Music, ASCAP, or BMI.
  2. Mechanical Royalties: Earned when a song is reproduced or distributed, such as through CD sales, vinyl records, digital downloads, or streams. These are often collected through publishers or mechanical rights organizations like the MLC (Music Licensing Collective).
  3. Synchronization (Sync) Royalties: Earned when music is used in sync with visual media, such as films, TV shows, advertisements, or video games. Sync royalties are negotiated directly between publishers or rights holders and the licensee.
  4. Print Royalties: Earned from the sale of sheet music or songbooks.

How They Work:

Music royalties are distributed based on licensing agreements and copyright laws. For example:

  • Streaming Services: Pay performance and mechanical royalties when a song is streamed.
  • Radio Stations: Pay performance royalties for playing songs.
  • Film Studios: Pay sync fees to use music in their productions.

Royalties ensure that music creators and rights holders are fairly compensated for their work. They are a primary source of income for songwriters, composers, artists, and publishers in the music industry.

The most lucrative royalty streams often come from sync deals, with iconic placements sometimes earning creators millions.

Example:

When Ed Sheeran’s song “Shape of You” is streamed on Spotify, mechanical and performance royalties are paid out to Sheeran, his co-writers, and their respective publishers.

Music Supervisor

Someone hired by a motion picture or television program producer to consult with both the producer and the director and propose the music to be used in the soundtrack, to be added to any music created from the film composer.

As an example: the music supervisor might suggest a specific artist to record new music for a film project and they might suggest using a previously released Record for the project.

It’s pretty common for Music supervisors to be involved with negotiating the terms for the use for the music within their project.

Musicology

Musicology is the scholarly study of music, encompassing its history, theory, cultural context, and performance. It explores music as both an art form and a cultural phenomenon, analyzing its structure, significance, and impact across different societies and time periods.

Branches of Musicology:

  1. Historical Musicology: Focuses on the history and development of music, including composers, styles, and periods.
  2. Ethnomusicology: Studies music in its cultural and social contexts, often focusing on non-Western traditions.
  3. Systematic Musicology: Examines the theoretical and scientific aspects of music, including acoustics, psychology, and aesthetics.
  4. Performance Practice: Investigates how music was performed in different eras and how historical techniques influence modern interpretations.

Key Areas of Study:

  • Music Theory: Analyzing the structure and components of music, such as harmony, rhythm, and melody.
  • Music History: Exploring how music evolved, including significant movements, genres, and figures.
  • Cultural Analysis: Understanding the role of music in rituals, traditions, and societal change.
  • Technology and Innovation: Examining how tools like notation, recording, and digital platforms influence music creation and dissemination.

Musicology deepens our understanding of music’s role in human expression and culture. It provides valuable insights into how music reflects and shapes identities, societies, and historical moments.

The term “musicology” was first coined in the 19th century, derived from the Greek words mousike (music) and logos (study or discourse).

The areas of study can be quite diverse. For example, a musicologist might study how the works of Beethoven influenced the Romantic period, or analyze the role of music in protests during the Civil Rights Movement.

Mute

This is effectively turning an audio signal off, i.e. full attenuation.

Making Suggestions

All suggestions are very welcome. We ask that when you suggest a term, you also suggest a description for that term. As a regular contributor, we ask that you follow the instructions on becoming a contributor set out below. You are also welcome to make suggestions in our music community forums.

Songstuff Music Community
Join the Songstuff Music Community and take your music to the next level! Get invaluable advice, and awesome resources, and connect with like-minded creators. Whether you’re an artist, songwriter, music producer, or singer, we’re here to help you grow, collaborate, and succeed. Your music journey starts here—join us now!
Songstuff Music Community
Join the Songstuff Music Community and take your music to the next level! Get invaluable advice, and awesome resources, and connect with like-minded creators. Whether you’re an artist, songwriter, music producer, or singer, we’re here to help you grow, collaborate, and succeed. Your music journey starts here—join us now!

Become A Contributor To The Songstuff Music Library

Contributors Wanted

Are you a qualified entertainments lawyer? Or perhaps you have in-depth knowledge about tour management? Are you an experienced band manager? Or perhaps a booking agent? You could be a studio Engineer or a music producer. Would you be interested in helping musicians to build their skills and understanding by contributing definitions to the Songstuff Music Glossary? We rely upon musicians, and people working within the music industry, being willing to contribute to our knowledge base.

As well as contributions to our music glossary, we feature contributions to our music library, in our site blogs and social media portals.

In particular, we add video contributions to the Songstuff Channel on YouTube.

Please contact us and we can explore the possibility of you joining our contributors asap.

Songstuff Media Player

If you would like to listen to some awesome indie music while you browse, just open our media player. It opens in another window (or tab) so your playlist can play uninterrupted as you browse.

Open the Songstuff Media Player.

Playlists are curated by SSUK for the Independent Music Stage and Songstuff.